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Key monkey junior11/21/2023 "About the Sequence of the Tapestries in The Hunt of the Unicorn and The Lady with the Unicorn." Metropolitan Museum Journal 17 (1982). "The Identification of a Plant in the Unicorn Tapestries." Metropolitan Museum Journal 17 (1982). New York: The Metropolitan Museum of Art, 1979. New York: The Metropolitan Museum of Art, 1976. New York: The Metropolitan Museum of Art, 1974. Masterpieces of Tapestry from the Fourteenth to the Sixteenth Century. Paris: Galeries nationales du Grand Palais, 1973. Chefs-d'œuvre de la tapisserie du XIVe au XVIe siècle. "The Unicorn Tapestries." The Metropolitan Museum of Art Bulletin, n.s., 32, no. "The Cloisters: Ein Museum für mittelalterliche Kunst in New York." Du 32, no. The Cloisters." The Metropolitan Museum of Art Bulletin, n.s., 28, no. Middletown, CT: Wesleyan University Press, 1966. Monastery and Cathedral in France: Medieval Architecture, Sculpture, Stained Glass, Manuscripts, the Art of the Church Treasuries. "The Thread of Patronage: The Medieval Collections of The Metropolitan Museum of Art and The Cloisters." Apollo 82, no. "The Cloisters." The Compleat Collector 3, no. "New Acquisitions for the Cloisters." The Metropolitan Museum of Art Bulletin, n.s., 33, no.5, part 2 (May 1938). "French Gothic Tapestries of about 1500." The Burlington Magazine for Connoisseurs 53, no. New York: The Metropolitan Museum of Art, 1928. Catalogue of a Loan Exhibition of French Gothic Tapestries. "The Tapestry Exhibition: Part I." The Metropolitan Museum of Art Bulletin, o.s., 23, no. To experts illuminate this artwork's storyīreck, Joseph. Even the little frog, nestled among the violets at the lower right, was cited by medieval writers for its noisy mating. Many of the other plants represented here, such as wild orchid, bistort, and thistle, echo this theme of marriage and procreation: they were acclaimed in the Middle Ages as fertility aids for both men and women. The red stains on his flank do not appear to be blood, as there are no visible wounds like those in the hunting series rather, they represent juice dripping from bursting pomegranates above. Clearly, however, his confinement is a happy one, to which the ripe, seed-laden pomegranates in the tree-a medieval symbol of fertility and marriage-testify. He is tethered to a tree and constrained by a fence, but the chain is not secure and the fence is low enough to leap over: The unicorn could escape if he wished. In this instance, the unicorn probably represents the beloved tamed. "The Unicorn Rests in a Garden" may have been created as a single image rather than part of a series. Luxuriously woven in fine wool and silk with silver and gilded threads, the tapestries vividly depict scenes associated with a hunt for the elusive, magical unicorn. The seven individual hangings known as "The Unicorn Tapestries," are among the most beautiful and complex works of art from the late Middle Ages that survive.
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